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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / lyndal irons

Meagan Pelham, 2017 by Lyndal Irons

Meagan Pelham, 2017

by Lyndal Irons

Paul, Bankstown, 2016 by Lyndal Irons

Paul, Bankstown, 2016

by Lyndal Irons

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Archived media releases 2018

Images for media use will be available from 8 March 2018.

Kate Fitzpatrick

Kate Fitzpatrick

Kate Fitzpatrick

Kate Fitzpatrick, 1983

Portrait, type C photograph on paper

Purchased 2003

Style Over Substance

The Huxleys

Will Huxley grew up in the suburbs of Perth, Western Australia, and Garrett Huxley was raised on the Gold Coast, Queensland.

3 portraits in the collection

Style Over Substance

Garrett Huxley

Garrett Huxley (b. 1973) was born in Melbourne and raised on the Gold Coast.

3 portraits in the collection

Style Over Substance

Will Huxley

Will Huxley (b. 1982) was born in Bath, England, emigrating with his family at the age of seven to grow up in the suburbs of Perth.

3 portraits in the collection

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Previous exhibition, 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Murray frees himself from straightjacket in public, 1928 by Sam Hood

Risky business

Magazine article by John Zubrzycki, 2016

John Zubrzycki lauds the characters of the Australian escapology trade.

Portrait of Captain John Hunter

Goods and chattels

About Face article

I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Captain James Cook

Rethinking foundational histories

Magazine article by Kate Fullagar, 2019

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency